"Lichtspiel III: Symphonie Diagonale" ("All of these films are remarkable, ground-breaking works which epitomise for me the idea of bright magic, but I think Viking Eggeling’s Symphonie Diagonale is my favourite of the three we’ve written about (...)The track is a plaintive piano and synth piece to mirror what I saw as a mournful, elegiac film. The sound is heavily influenced by Vangelis – the patterns and light in Eggeling’s work remind me of some of Blade Runner‘s incredible production design (...), and there’s very much a through line from Fritz Lang’s Metropolis to Ridley Scott’s film")

(sequência daqui) O método anterior de criação a partir de "samples" de documentários do British Film Institute e materiais educacionais e de propaganda que tinham sido a coluna vertebral de Inform-Educate-Entertain (2013), The Race For Space (2015) e do óptimo Every Valley (2017) foi, agora, substituído por jornadas de captura de sonoridades de rua, destinadas a serem articuladas em modo Bowie/Eno/Krautrock com as contribuições de Blixa Bargeld, Andreya Casablanca e da norueguesa EERA, no lendário Hansa Tonstudio. Todos os anjos e demónios que habitam a Meistersaal desceram sobre Bright Magic.