A FÓRMULA CORRECTA
Kevin Ayers - The Unfairground
Quando a “Uncut” lhe perguntou “vinho, mulheres ou canções: o que é melhor?”, Kevin Ayers respondeu que é a combinação das duas primeiras que melhor funciona em benefício da terceira. Mas fez questão de acrescentar que “tal como quando se fala dos filhos, não desejaria eleger publicamente nenhuma das hipóteses como favorita”. Quinze anos depois do apenas aceitável Still Life With Guitar e muitos mais de uma quase interminável seca criativa após o início com os Soft Machine e os óptimos individuais Joy Of A Toy (1968), Shooting At The Moon (1970) e Whatevershebringswesing (1972), Ayers parece ter descoberto a fórmula correcta que equilibra devidamente os três ingredientes.
Soft Machine - 1967: "Why Am I So Short", c/Robert Wyatt, Mike Ratledge e Kevin Ayers
Seja ela qual for, resultou, sem dúvida, em benefício destas dez magníficas canções que (na companhia de velhos e novos companheiros como Hugh Hopper, Robert Wyatt, Bridget St John, Phil Manzanera e gente dos Neutral Milk Hotel, Architecture In Helsinki ou Teenage Fanclub) reconstituem intacto o requintado psicadelismo aristocrático das origens. Ou como a queda de um dandy não tem de ser irremediavelmente definitiva. (2007)
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